5,479 Royalty-Free Audio Tracks for "Compositions In D Flat Major"

Major scale on C. Created by Hyacinth (talk) 19:42, 1 April 2010 using Sibelius 5.

Example 12 from Stockhausen's article "… wie die Zeit vergeht …", illustrating with a version of the series from Gruppen fur drei Orchester that, "if you start from the intervals of a proportion series, then with every step forward the register of each duration is also already chosen" (Stockhausen 1963b, 117). There are "a number of basic durations, indicated in metronome marks and corresponding with the pitch proportions within the series, reaching far as the octave positions (basic duration units)" (Leeuw 2005, 174), or "a duration scale which changes its 'time register' … corresponds to a twelve-tone scale that extends over more than one octave" (Misch 1998, 157–58).

Prime form of five note tone row from Igor Stravinsky's In memoriam Dylan Thomas.

Tone mixtures for Group I of Studie II. First five pitches (Group I: 1). G♯=100 Hz.

Tone row from Stockhausen's Klavierstück IX.

Tone proportions of Studie I. I took F♮ as the starting point.

Tone row with Schoenberg's initials preceded by remaining four notes.

Prime row form from Stravinsky's Requiem Canticles.

Rudiments of the 12-note series from Stockhausen's Klavierstück III (Leeuw 2005, 176–77). Created by Hyacinth (talk) 01:36, 20 October 2010 using Sibelius 5.

Double Concerto in A minor (Op. 102), concerto for violin, cello, and orchestra — 2nd movement. Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.

32 Variations in C minor, WoO 80.

C major bebop scale.

Freygish scale on D. Created by Hyacinth (talk) 03:16, 26 November 2011 (UTC) using Sibelius 5.

Romance, composed by Sergei Rachmaninoff in 1887. See Romance - Rachmaninoff.png.

The fourteen-tone series on which the melody "Libra" from Karlheinz Stockhausen's Tierkreis is based. (From p. 151 of Jerome Kohl, "The Evolution of Macro- and Micro-Time Relations in Stockhausen's Recent Music", Perspectives of New Music 22, nos. 1 & 2 (Fall-Winter 1983/Spring-Summer 1984): 147–85.)

Study in Canon for Organ (1896) by Charles Harford Lloyd, J.B. Millet Company

FREDERIC CHOPIN, THE ETUDES PAN 107 (1810 - 1849) Martha Goldstein, Piano (Erard, 1851) Opus 10 - Twelve Grand Etudes dedicated to Franz Liszt, published 1833 c minor- Allegro con fuoco Supposedly written in Stuttgart shortly after Chopin received news of the taking of Warsaw by the Russians September 8, 1831, this Etude is popularly called The Revolutionary."

piano concerto in a minor, op. 16 - i. allegro molto moderato Македонски: Концерт за пијано во а-мол, оп. 16 (1868) од Едвард Григ. Koncert fortepianowy a-moll op. 16, część 1. Allegro molto moderato skomponowany w 1868 roku przez Edvarda Griega.

Double Concerto in A minor (Op. 102), concerto for violin, cello, and orchestra — 1st movement. Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.

A-flat harmonic minor scale ascending and descending. No pitch bend.

A-flat melodic minor scale ascending and descending. No pitch bend.

B♭ natural minor scale ascending and descending.

Istrian mode as subharmonics 14 through 7 on C: D-, E↓, F, G↓, A♭, B♭-, C, D-' = D, E, F, G♭, A♭, B♭, C, D'.

A recording of Pleasant Moments, a Ragtime Waltz recorded on Piano Roll by Scott Joplin in April 1916, and thought lost until discovered by User:PlayerRoll in 2006. It has been scanned and recorded on a Grand Piano as an MP3. The recording is public domain as it was originally made before 1923 in the USA. The MP3 was converted into OggVorbis by Major Bloodnok.

Scale of the Mixolydian mode starting on C [ogg vorbis sound file]

Istrian scale in Schubert's Symphony No. 8 in B minor (1922), 1st mvt., bars 13-20.

A recording of the Berceuse & Finalé from The Firebird (Stravinski, Igor) arranged by Merle Isaac, performed by the New Mexico All-State Concert Orchestra of 2015.

Misheberak scale on D. Created by Hyacinth (talk) 07:50, 18 April 2011 (UTC) using Sibelius 5. See: :Image:Misheberak scale on D.png

Concerto for Violoncello and Orchestra in B minor, op. 104 - 1. Allegro (Pierre Fournier, George Szell, Berliner Philharmoniker, Germany)

Dominant seventh flat five chord on C - As MIDI

Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.

Secondary half-diminished leading-tone chord in Brahms Op. 119, no. 3, mm.49-51.

Example of a German sixth chord, preceded by predominant chords, in Scott Joplin's Binks' Waltz (1905).

The 'D-Beat' in musical notation.

D-beat drum pattern 2a.

D-beat drum pattern 2b.

D-beat drum pattern 3.

D-beat drum pattern 1.

1st release date: 1942 1st recording date: 29 August 1942 Place of recording: unknown Author(s)/Composer(s): George Frideric Handel (1685-1759) Music arranger(s): Sir Hamilton Harty (1879-1941) Lyricist(s): none Conductor: Sir Malcolm Sargent (1895-1967) Performer(s): The Hallé Vocal range: instrumental Title/Work: Water Music, HWV 348-350 Content: Suite in F major, HWV 348: Allegro deciso Genre(s): Suites

Ave Maria composed by Charles Gounod. Ave Maria was composed based off of the harmony and texture of Johann Sebastian Bach's Prelude No.1 in C Major from Well-Tempered Clavier Book I (BWV 846).

A song from The Remains of Tom Lehrer

Song from The Remains of Tom Lehrer

A ragtime composed by W. C. Handy and recorded by Handy's Orchestra of Memphis in 1917 in New York.

Wedding Day at Troldhaugen, played by Edvard Grieg; recorded 1903. Original tape.

Piano concerto no. 2 in c minor, op. 18 - ii. adagio sostenuto

Piano concerto in a minor, op. 16 - iii. allegro moderato molto.

A single bar from "Fugue No.17 in A flat", BWV 862, displaying contrapuntal polyphony. The piece is part of J. S. Bach's Das wohltemperirte Clavier, Part I. See: File:BachFugueBar.png

Listed by the w:United States Air Force Band at The Air Force Strings Music page as "Air", which might be confused with Air", but actually Air on the G String. From the 2000 album Collage, recorded at The United States Air Force Band Recording Facility, Bolling Air Force Base, Washington, D.C. 18-26 May, 2000. Catalogue Number BOL-0006, First Lieutenant Keith H. Bland, Conductor. Performed with 7 first violins, 5 second violins, 4 violas, 3 cellos, 1 bass and 1 accordion, according to the liner notes

the famous chords symbolizing the church bells in Debussy's prelude La cathédrale engloutie

John Philip Sousa's Transit of Venus March.